guardian films to watch
Directed by Logan Taaffe. Feel free to ignore the slight plot (a love triangle involving two best friends) and old-fashioned sexual politics and just wallow in the perfect chemistry of megastars Kajol and Shah Rukh Khan. Clint Eastwood in The Good, the Bad and the Ugly. Russell Crowe bellows and glowers opposite hyper-evil Joaquin Phoenix and lugubrious Oliver Reed (who died during production). There is the occasional anomaly (for instance, the inevitable black maid cameo) – it is after all, more than 80 years old – but I reckon if every US schoolkid was compelled to watch this, the NRA and Walmart would be out of business before Donald Trump could say “Make America Great Again” again. And the casting is killer, with Ezra Miller as Kevin and Tilda Swinton playing the mother. Set in post 9/11 New York, Anna Paquin is an overentitled teenager partly responsible for a tragic accident. CS Read the review, Iranian director Abbas Kiarostami had already proved himself a master in the late 20th century; this simple but effective piece – featuring a woman driving different people around Tehran – proved he could do it in the 21st. A film supercharged with edginess. Its dissection of western heroic myth via civil war tragedy only increases in power as the years pass. George Clooney is at his most Cary Grant-ish as the leader of the crack team of robbers. Of changemakers and rule-breakers. What music: Simon & Garfunkel’s greatest hits. Alexander Payne’s black-and-white ode to small-town America is his best this century (Sideways has not aged like a fine wine). OK, a flip-phone, but this is modern rural Italy. A duvet coat for the brain. Anne Hathaway plays the callow college grad who flukes a job at the colossally prestigious fashion magazine Runway, edited by Streep’s terrifying Miranda Priestly, the boss from hell. A high school swim champion with a troubled past enrolls in the U.S. Coast Guard's "A" School, where legendary rescue swimmer Ben Randall teaches him some hard lessons about loss, love, and self-sacrifice. The gentle pace of the story means all the more time to bask in it. And it contains the beautiful beat when cynical super-critic Antoine Ego is returned to innocence by tasting his first mouthful of Remy the rat’s ratatouille. Actually, the putative star of The Guardian is Aston Kutcher. The cheated-on pair become friends, but vow not to behave badly. Homa Khaleeli, deputy features editor, As a young teenager I think it expressed the mix of parody, irreverence and slapstick that suited me dead right. Kurosawa’s ‘uplifting’ film about poverty and Chernobyl are on the viewing roster of the Avenue 5 creator, who calls on the UK government to prioritise the arts sector Jon Ronson, writer and broadcaster, It is a rude supposition among people who haven’t seen enough animated films to think there’s a diminishing-returns principle, each sequel the same as the last, only less good. It’s glorious. Harrowing but clear-sighted. A priest speaks of “reawakening the soul of the Russian people” as their spirits lie crushed at his feet. Inspired by Yves Klein’s famous shade of blue, which appears in all sorts of unexpected... Read more on theguardian.com. But why focus on regret, when there are hookers, drugs and fast cars? Martel has been called “the Malick of Latin American cinema” but this feels closer to Herzog. Ken Stott, actor, This guaranteed blues-banisher is as giddy as the screwball classics (Bringing Up Baby et al) to which it pays homage. Like Brief Encounter, the film aches with the understanding that impossible love makes for a more romantic movie. Kate Fagan, London, This was one of my daughter’s favourites as a child and when I’m missing her or feeling a bit blue I’ll watch it to feel closer to her. Directed by Anurag Kashyap, this is conceived on a giant scale, as generations of three gangster families fight for supremacy over the course of half a century. One hundred golden minutes of pithy wisdom on all life’s thorniest subjects: boys, friendship, sex, drugs, accessorising, parking. Shot in remorseless, unforgiving close-up by first time Hungarian director László Nemes, the story of a Jewish prison-camp worker whose job it is to help clear the gas chamber of corpses is cinema at its absolute rawest. A what-if feminist parable, this is a movie that thinks the unthinkable: what if a mother doesn’t like her child, or even love him? Actor Katie Jarvis took six years off after shooting; roughly the same as audiences needed to recover from the shake it gave, and the sight of Michael Fassbender. Billy Wilder is a favourite of mine after Cameron Crowe graciously introduced me to his films. 200 years of chasing the truth. Rampling is sensational. Well, the first half, anyway. Close. CS Read the review, Just nudging Gene Hackman’s Tenenbaum clan down the list, Wes Anderson’s glorious 1930s confection is a delight with a hard nugget of politics at its core. Summer Madness is a great, lonely masterpiece, like Kurosawa’s Ikiru, or Varda’s Cléo from 5 to 7. There’s something for everyone to hate – the whitest, most inconsequential love triangle committed to film, an angry black girl who’s tamed into obedience, a “fat” girl who’s never not shoving food down her gullet – and yet every time I see Jody whip her head up in that way-too-close-to-cornrows hairdo that miraculously materialises out of nowhere, mid-performance, I get chills. It helps if, on top of that, the film is superbly written and directed. It’s a bruising watch, but Ramsay makes it’s impossible to turn away. Agitprop, and essential. A wedding begins proceedings, a funeral ends them. But I’m trash, and Center Stage is a trash film. Depending on your tastes, a candidate for sexiest film of the century. Nesrine Malik, Guardian columnist and author, I first saw it when I was four or five years old, and I remember dancing around in my local park trying to do the numbers from it. CC Read the review, Lars von Trier’s Brechtian parable about coercive capitalism remains arguably the Danish provocateur’s masterpiece. The Guardian's 52 Perfect Comfort Films – to Watch Again and Again - Page 2 show list info Film-makers, writers and Guardian readers on the movies they always curl up with and watch again and again. It gives me hope and inspires me. The two fight but fall in love. CC Read the review, Jonathan Glazer’s first film in nearly a decade (and still his most recent) turned out to be an uncategorisable masterwork. Rossano Brazzi and Katharine Hepburn in Summer Madness. It’s the start of the kid’s prison education. Flying fighters … Crouching Tiger, Hidden Dragon. AP Read the review, After the Cambridge Analytica revelations, the treachery and backstabbery in Aaron Sorkin and David Fincher’s Facebook origin tale looks positively quaint – the geeks and nerds fighting over who had the idea for Facebook first. It’s based on the autobiography of crooked stockbroker Jordan Belfort, convicted in 1999 for fraud and money-laundering. Scarlett Johannson and Bill Murray are impeccable casting as the unlikely soulmates thrown together in high-rise Tokyo. I’d argue the case for Wuthering Heights as one of the most criminally underrated movies of recent years – though it’s been influential, blazing a trail for stripped-back period movies such as Lady Macbeth. AP Read the review, Sofia Coppola’s second feature stands up: utterly distinctive, wildly romantic and fleetingly queasy. The Guardian - Lyndsey Winship • 3h. CS Read the review, Passed over by the British and American film academies – though Timothy Spall’s glorious grunting lead was rightly recognised by Cannes – Mike Leigh’s painter biopic is meticulous, moving and still underappreciated. The 100 best films of the 21st century. Paul Giamatti and Kathryn Hahn in Private Life. It’s set in rural Turkey where officials are spending the night driving a murder suspect around looking for a body. 100. He sublets their apartment to an eccentric but likable actor who lets them stay on in the flat. Colin Firth and Judi Dench in Shakespeare in Love. CS Read the review, An official working for the Spanish crown descends into madness while waiting for a transfer out of his backwater post in 18th-century Paraguay in Lucrecia Martel’s fevered historical drama. Samantha Morton, actor, My go-to comfort movie is always Radio Days, Woody Allen’s glorious, crazy, nostalgic kaleidoscope of warmth and humanity, hilarity and sadness. Guardians. Acute … Dennis Quaid and Julianne Moore in Far From Heaven. When James Brown leads a singing church from observance to mass hysteria and backflips. David Thewlis voices the depressed motivational speaker to whom everyone sounds the same – except for Jennifer Jason Leigh’s scarred sales agent. CS Read the review, Israeli soldier-turned-film-maker Ari Folman’s film is a kind of animated companion to Apocalypse Now, a hallucinatory statement about the trauma of conflict and the madness of war. It never descends into cliche or even self-pity; it remains a film for adults, uninterested in anything but the truth. Politically, it’s scattergun; satirically, it’s spot-on. I love this movie because it allows me to escape into a world where the characters’ biggest problems are meddling mothers and who is on their dance cards. I related to being a fish out of water, as a closeted gay kid, and I still find great comfort in it today. Michael Douglas cast vanity aside and caution to the wind with virtuosic results as the promiscuous ivories-tickler; Matt Damon was terrific against type as his lover, Rob Lowe pinched and uproarious as their much-employed cosmetic surgeon. It is perfectly cast and paced, endlessly surprising, uncompromising and compassionate: a story purely and powefully told, yet full of the extraordinary visual grace notes. It’s in the kindly, Mr Rogers lilt of Williams’s character, his narrative arc of redemption and the underlying moral that the bond of a caring parent will win out – something to truly take comfort in during this time of isolation. Aamna Mohdin, Guardian community affairs correspondent, It’s about people who have been cast out from society who find solace, joy and family in self-expression, music and dance. It may be that so much of it takes place in a kitchen; I always feel you can smell the food. CC Read the review, The Coens’ Cormac McCarthy adaptation is a scorching study of benevolence and evil with rich and weathered turns from Tommy Lee Jones, Josh Brolin and a glossily horrible one from Javier Bardem. Incredibly glamorous and miserably heartbreaking, this film gave notice of Aronofsky’s brilliance. Here, though, there’s something really charming about coming to the next film and finding them older, then them meeting again and finding their way through love and life. In watching the bonafide progress of Ellar Coltrane – as well as Patricia Arquette and Ethan Hawke as his parents – Boyhood provides its audience with an intimacy and an investment like no other. Matthew Macfadyen and Keira Knightley in Pride and Prejudice. Derren Brown, illusionist and author, I’ve loved this film like a brother since childhood. From left: Moonlight, The Handmaiden, There Will Be Blood, Under the Skin Composite: n/a. This is a work of art with humanity in every frame. All gain, no pain. Claire Armitstead, Guardian books editor, Terminator is technically the better film. Streisand purrs Cole Porter’s You’re the Top over the credits. AP Read the review, Despite lingering controversy over its adoption by Netflix in its war with the film industry, Roma still stands as an absolutely major work. Hugh Muir, Guardian acting G1 editor, This is a great classic, but I saw it only five years ago and was knocked out by it. Enter paterfamilias Royal Tenenbaum (Gene Hackman), a man who consoles his grieving grandsons with: “I’m sorry for your loss. To read Northup’s 1853 memoir is to be astonished by the film’s fidelity. AP Read the review, A film that grabs you by the neck and shakes hard, this brutal crime drama announced the Mexican director Alejandro González Iñárritu as a major new talent in 2000. We tend to think of the latter type of juvenile emancipation as the province of overprivileged westerners, but director Nadine Labaki makes it work in the toughest of social circumstances: a 12-year-old, living in the Beirut slums, takes steps to deal with his parents’ neglect. Give me a worthy but ultimately vanquished foe via what must surely be the most richly satisfying and least dated special effects in film history. CS Read the review, Ridley Scott’s deluxe Roman blockbuster is toga soap turned up to the absolute maximus. And this is. Composite: Alamy/Allstar/Guardian Design. Denis Lawson, actor, You don’t need to be a child to find Hayao Miyazaki’s lovingly detailed depictions of rural Japan ravishing; perfect blue skies, fluffy white clouds, lush green countryside, traditional architecture, benign mythical creatures. Malick’s whisk of painterly fields and whispering grass has become a kind of refuge from the din of the house and the clamour of the news. 15 Apr 0. CS Read the review, Even non-ravers can’t fail to be shaken by Mia Hansen-Løve’s vital tale of love and clubbing, vaguely based on the rise of Daft Punk. CC Read the review, Western audiences unfamiliar with the wuxia martial arts genre had never seen anything like Ang Lee’s dazzling 18th-century-set epic in 2000 – fighters flying through the air with balletic grace. Stylish, visceral film-making, violent and hard-hitting, it’s got a valid claim to be India’s answer to The Godfather. Charlotte Rampling and Tom Courtenay play a Norfolk couple planning their 45th wedding anniversary. It’s basically The Railway Children, but with ghosts. Busting makes you feel good! Hannah J Davies, Guardian deputy TV editor, Sad cat-spinster, orphaned railway worker Sandra Bullock inveigles her way adorably into the life of a dim, handsome, comatose banker. Give me reprogrammed metal endoskeletons thrusting forth an invincible hand and offering salvation. Mr Incredible is living in suburbia with his family after one lawsuit too many. The animal interaction is just pure joy and really helps me clear my mind of the chaos we are going through. The pleasure is less in the near-perfect plot structure, where two characters intersect on their way to self-awareness, but in its little gems of dialogue. Kiarostami and his star Mania Akbari conjure knotty drama out of a series of conversations about marriage, family, religion and sex. During the Cold War, a Soviet organization called "Patriot" created an elite team of superheroes. The flick-knife energy of the dance numbers, the sarky wit of Puerto Rican Anita, the plodding humour of the bumbling cop Krupke, the soaring romance of Tony and Maria. Set in their home town of Minneapolis in the late 60s, A Serious Man stars Michael Stuhlbarg as an academic whose life is roiled by continuing uncertainty and self-doubt – triggering repeat visits to his rabbis, a marriage breakdown and extended interactions with his oddball brother. But Terminator 2 is what I want. AP Read the review, The film begins with a couple in front of a judge asking for a divorce. Did I mention Robert Redford and Paul Newman? It’s a place you want to be: tranquil and reassuringly nostalgic, yet tinged with just enough mystery and strangeness. CC Read the review, A sprawling drama that functions both as an excoriating treatise on the nature of poverty in Lebanon, and an idiosyncratic drama in which a child takes his parents to court for their ill-treatment of him. I recently watched it with my 12-year-old nephew, who is interested only in Minecraft and YouTube. Jesse Eisenberg is a knockout Mark Zuckerberg, the smartest guy in the room (though not sartorially, in flip-flops and a hoodie). I wish it were Varda. CS Read the review, Hubert Selby Jr’s lacerating novel that lasers in on the exhilaration and tragedy of addiction is given expansive, stylish treatment by the then-emerging director Darren Aronofsky. CS Read the review, Jordan Peele’s debut is a perfect, hard-polished gem of a film. “To ache?” Few films try to answer: this Fabergé egg of a film does. After that, it’s complicated, with a flight into magic realism or perhaps even reincarnation. Part memoir, part elegaic fiction, Cuaron hit the heights with this. A beautifully crafted act of ancestor worship. A real original, and it still looks unique. CC Read the review, British director Andrew Haigh’s quietly devastating drama is a deeply moving portrait of marriage with the shiver of a ghost story. Pregnant! Tenet is a 2020 spy film written and directed by Christopher Nolan, who produced it with Emma Thomas. This movie made me want to be “an entertainer”, an idea that never went away and led me straight towards my career. AP Read the review, Steven Spielberg’s portrait of the great US president looked at the time like a history lesson come to life: graced by a monumental, Oscar-winning performance by Daniel Day-Lewis, it detailed the arm-twisting and chicanery behind the passing of his slave-freeing constitutional amendment. Kathy Najimy, Whoopi Goldberg and Wendy Makkena in Sister Act. Am I with the right person? Two children, exiled to a country house, become friends with ghost children of their own age. If you watch the films in Chronological Order, Steve wakes up in 2012 and then… you have to watch five films before you get to see the payoff. Where did my life go? Exploiting then newly developed video technology, Sokurov crafted an elaborately choreographed procession of tableaux and set pieces that explored three centuries of Russian history and culture, from the imperial era to the wartime siege of Leningrad. Party-throwers and whistleblowers. Star-crossed lovers with a funny kid thrown in and a hilarious, camp Richard III that gets Dreyfuss sacked. Sensational … Tom Courtenay and Charlotte Rampling in 45 Years. And finally – that ecstatic ending. As in Manchester by the Sea, the effect is shattering; it is like watching actual lives fall apart. His entire family fall in love with her, including the banker’s earthy, twinkly eyed brother, played by Bill Pullman. The film reminds me of how much I love those moments after a night out when you turn to your friend and say: “WTF happened? Returning to Mauritania, his country of birth, Sissako puts together a string of vignettes and encounters, linked together by a returning, westernised student who can barely remember the local language. Director Claire Denis drew on her own upbringing in colonial west Africa to give this study of a hard-as-nails plantation owner a pungent whiff of authenticity. It’s also a total blast. It is a great tonic for these anxious times. AP Read the review, Probably most Wes Anderson-y of Wes Anderson’s films and certainly his finest, with a to-die-for cast and the best fur coat in the history of cinema. CS Read the review, After a string of brilliant, industry-transforming scripts, Charlie Kaufman made his directorial debut with this complex, convoluted drama, starring Philip Seymour Hoffman as theatre director Caden Cotard, who is swamped by personal crises as he works on his dream project: building an ever-expanding replica of the city streets and buildings inside a giant warehouse, and populating it with lookalikes; the blurred boundary between performance and reality is mirrored in Cotard’s own breakdown, with the title giving the big clue – this is all symbolic. CC Read the review, Arguably Penélope Cruz’s finest performance, in one of Pedro Almodóvar’s key films: a heady stew of murder, family strife and supernatural shenanigans. None of them had actually seen the film, a powerful, compassionate drama starring Cillian Murphy and Padraic Delaney as Republican brothers split by the civil war that followed independence in 1922. But I’ve just rewatched it twice in the space of a week, and it’s all I can do not to put it on again. The “panties on the line” scene in the bathroom is a cinematic classic. Matthew Holness, writer, actor and director, Katharine Hepburn alone on holiday in Venice. CC Read the review, Here’s a police procedural with a difference by the Turkish director Nuri Bilge Ceylan – the whodunnit and why playing second fiddle to long stretches of silence. Sometimes you just want to worry over these small problems rather than what’s going on in your own life. Samantha Morton loves The Apartment, while David Baddiel prefers Ratatouille. Everyone behaves badly in Asghar Farhadi’s desperately painful family drama. – is just joy. Shah Rukh Khan and Rani Mukerji in Kuch Kuch Hota Hai. The inhabitants of a small village are dogged by mysterious, violent incidents that serve mostly to exacerbate the dysfunctional social codes they all live by – and elliptically suggests the moral climate that evolved into Nazism. AP Read the review, Hayao Miyazaki’s wondrous animation, the greatest success of a spectacular run from Japan’s Studio Ghibli. It’s Back to the Future day - the day to which Marty (Michael J Fox) and Doc (Christopher Lloyd) travel forward in the second of Robert Zemeckis’s action comedies. Honor Swinton Byrne is astonishing in her first film; Tom Burke inch-perfect as the charming but parasitic older man. A genuine one-off, the film is partly a satire on Europe, globalisation and workplace misogyny, as well as being a prickly sweet father-daughter movie. With Trevor Lawson, Veronica Seguin, Mason Girvin, Zach Echols. Playful, ingenious and prodigiously informative, it’s a triumph of vision over verite. 200 years of chasing the truth. Give them to me again and again, this seamless blend of Arnie action, suspense and noble sacrifice, heart and hope. Mostly, though, it’s just ferociously funny, even if most of the humour does, finally, come from the sight of the 2ft puppets tottering around, getting drunk, having wild sex, attempting to walk through doorways and wrestling panthers played by kittens. I love it all: Von Sydow’s rant, Bewitched, Bothered and Bewildered, “she got drunker and drunker and finally she turned into Joan Collins”, the scene in which Mia Farrow and Woody Allen try to persuade Tony Roberts to be a sperm donor. Trading Places is one of those films. Orchestrated by director Joshua Oppenheimer, this film revisits the perpetrators of some horrific events and asks them – with little need for encouragement – to re-enact them. CS Read the review, French film-maker Jacques Audiard’s blistering arthouse prison thriller begins with a 19-year-old rookie prisoner (Tahar Rahim) being made an offer he can’t refuse by the mob: execute a police informant or be killed. Ryan Gilbey, Guardian writer, On the surface, Splash sounds incredibly hokey: a love story between Allen (Tom Hanks in his first major screen role) and Madison (played by Daryl Hannah), who meet fleetingly as children and are reunited years later when Madison rescues Allen from a boating accident. But I can curl up and watch this film and remember when she was little – and warm my heart in the nostalgia. Who’s to blame? CC Read the review, The film whose Palme d’Or win heralded the arrival of a new wave of Romanian cinema. This is cinema as gentle revolution. Terminator 2 is what I need. AP Read the review, When Ken Loach won the Palme d’Or at Cannes for his film about the Irish rebellion against British rule, the tabloids went on the attack (Daily Mail: “Why Does Ken Loach hate his country so much?”). In the end, the show goes on and all ends well. Their antics remind me of the kinds of night you have with a best friend where it starts off tame and organised and then goes completely sideways. From its unnerving alien-POV sequences, to the empathetic scene with actor Adam Pearson (who has neurofibromatosis), to the sheer coldness of the predatory logic of its central figure, Under the Skin achieves a mood and texture unlike anything else before or since. And it is all inscribed in the story of the movie’s leading character, a man with the Bunyanesque name of Daniel Plainview. entertainment news; The Arts; Performing Arts; Ballet; United Kingdom His wife is having an affair – with her husband. Saddled with an untrustworthy husband and an erratic son, it’s all she can do to survive. And her voice! Logo Imdb Outline. Daniel Auteuil plays a successful TV host whose contentment is disturbed by the arrival of mysterious surveillance tapes. It’s the story of a workaholic management consultant (Sandra Hüller) whose embarrassing dad turns up unannounced for the weekend wearing joke-shop false teeth. James Stewart, Katharine Hepburn and John Howard in The Philadelphia Story. AP Read the review, Has there ever been a more beautiful couple in the history of cinema than Tony Leung and Maggie Cheung in Wong Kar-Wai’s smouldering love story In the Mood for Love? Mark Cousins, writer and film-maker, My favourite film to watch if I’m feeling down is The Producers. AP Read the review, Intense, anger-driven documentary from Ava DuVernay on the racialisation of the US’s justice system, positing the idea that the massively disproportionate incarceration of African-American men is simply slavery by another name. It’s a mystery … Peter Stamp, Cranleigh, What a cast: Dustin Hoffman, Katharine Ross, Anne Bancroft. Justin Lightbown, Manchester, A “comfort film” for me means black and white, clipped and ever-so-English accents (or “excents”) and the reassuring presence of certain character actors. CS Read the review, Steve McQueen’s real-life story of Solomon Northup, a free man kidnapped and sold into slavery in 19th-century Louisiana, exudes all of the dignity, impatience and artistic fidelity of its director. CS Read the review, Sarah Polley followed Away From Her and Take This Waltz by turning the camera on her own family secrets in this tricksy and compassionate documentary uncovering the true identity of her father. ” said Woody Allen of his Oscar-winning 1986 comedy 104 minutes of complete entertainment in front of a for...: Vin Diesel ’ s a mystery … Peter Stamp, Cranleigh, what a cast Dustin... During the Cold War, a flip-phone, but Ramsay makes it s... His insta-classic yet more charming, inventive and across-the-generations entertaining haunted bathhouse director Todd Haynes this... Down is the massacre of Palestinian refugees by Christian Phalangists at the moment sacrifice, heart and hope to! Blood, Under the fire and fury skewers beautifully, it has got be... Civil War tragedy only increases in power as the fantastically dim lord up. Close, from director Todd Haynes, this is a love story, it ’ s parable. 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